For more than 40 years, the address 979 3rd Ave. has been the go-to destination of many Design professionals. The “Decoration and Design” building, commonly known as the “D&D” for short, is 18 floors of showrooms which represent almost 3000 manufacturers of products used for building and design.
The entrance is well known for the mosaic tile of the building’s logo.
This past week was Market, which is the time when the showrooms present their new products. There are informative seminars, casual receptions and book signings making it a very fun venue to go to. I received a flyer in the mail describing the two day event and the schedule of events.
I am embarrassed to say I probably haven’t been there in about ten years, since I stopped working. Now that I write my blog, I had a bug to go and see what I have missed all these years. I called my design partner in crime, Ericka who is a very talented decorative painter, and we went in for the day.
On Wednesday, we were able to attend the panel discussion with Tom Scheerer, Aerin Lauder, and Howard Slatkin. Traffic was horrendous so we only caught the last 15 minutes but we got a great goody bag courtesy of the sponsor, The New York Times!
Afterwards, the Holly Hunt showroom sponsored a book signing reception so we went and enjoyed some coffee and networking.
As I took a sip, I looked ahead and saw this…
The showroom of DENNIS & LEEN; beautiful reproductions of 17th and 18th century antiques.
Gorgeous finishes and just enough detail.
Their finishes are so well done that is hard to distinguish from a real antique.
The showroom is an endless treat of lovely vignettes.
One floor down, 17 to go!
I knew I wanted to go to EBANISTA as everything I have seen posted on Pinterest, I absolutely love.
I was not disappointed.
EBANISTA is also based on the fine art of reproduction European antiques with a wonderful eye for detail and talent for fine finishes.
Gilding, fine fabrics, hand carving and velvet were evident everywhere.
I didn’t know where to look first as every piece was something I would have purchased.
A hand embroidered and applique pillow was center stage on a sofa.
Another beautiful vignette.
This is a sample of one the imported cut velvets that are offered by the yard or for custom upholstery.
We made quick stops at Armani Home, Gracie Wallpapers, Maya Romanoff, J. Robert Scott and Donghia. All were very gracious hosts and all had their incredible selection of new products proudly displayed.
Charles Faudree has a line of fabrics for Vervain and ironically, the simplest fabric was my favorite. It was an oh-so charming blush color buffalo check.
There was one more stop I knew I wanted to make and I saved it for last.
The FORTUNY showroom.
When I was a student at The Fashion Institue of Technology I was introduced to the beauty of Fortuny. I was fortunate enough to work in their Design Lab, which did restoration work on the couture that was displayed in most of the costume exhibitions at the time. That is where my fascination began.
The entrance of the showroom features a new concept the company is using. Squares of mosaic fabric are custom made to make murals that look exactly like tile.
Behind the mural is a photograph of the original factory in Venice Italy where Fortuny fabric is still carefully manufactured today. It is a very closely guarded process that no one is allowed to observe.
Not even the Queen of Sweden was allowed in when she was in town!
We had a great time thanks to the showroom manager, Catherine and the backroom assistant, Jun. Jun is a very talented worker and had just made an incredible mobile for Catherine’s birthday. He used scraps of fabric and made all different birds on twigs.
Alexander Calder watch out!
We were even fortunate enough to meet to owners of the company,Maury and Mickey Riad who were put in charge by their father, Maged.
Even though the Fortuny process is a closely guarded secret, it is so easy to appreciate the beauty of the centuries old technique.
Bold cotton colored grounds are hand printed with metallic colors and timeless designs.
I could have stayed all week, but as luck had it, I had to get back home to the Money Pit to meet the electrician, so I was back to reality by 4:00.
It truly was so fun to go back and see so many wonderful things. The best part was literally running into one of the most famous design icons ever.
As I was leaving the Lee Jofa showroom, I had my hands full of bags, was holding a cappuccino and had a mouthful of garlic bagel. As I turned the corner, I almost knocked over Mario Buatta and I was so embarrassed I was speechless. I apologized and just said ‘I’m so sorry but you don’t know who I am but I know who you are!”.
He kindly looked at me and asked, “and you are??”
I didn’t dare ask for a photo!